Schneebauer
Targaryen
Ich finde eigentl. nur das Timing unter aller Sau. Die brauchen mir nicht weis machen, dass ihnen das alles erst 4 Wochen vor Kinostart einfällt.
Q=ColliderI just interviewed the Wachowskis on the phone for thirty minutes, I ran out of time, but that was my next question. But I do want to ask you, speaking of 3D, GI Joe, early next year, did you guys reshoot stuff? Did you just do a Titanic like post-conversion?
DI BONAVENTURA: We did like Titanic, yeah. We learned a lot about 3D—I personally learned a lot about 3D in Transformers. The conversion part of the 3D process is night and day, you know, every three, four months it’s better than it was before. It’s amazing how fast that thing has changes. And originally we didn’t really have the time or the resources to try to figure out how to shoot it in 3D in the time frame that we were originally talking about, you know, starting in August and releasing in…what was our original release date?
June, July?
DI BONAVENTURA: June, yeah it was late June. So this delay has allowed us to go at it now. And Jon [Chu] has some sequences that are really, there’s a phenomenal- for GI Joe fans it’s going to be one of the really great scenes for them, because there’s a fight between Snake Eyes and Storm Shadow in a hallway that is so perfect for 3D I can’t tell you. It’s going to be like one of the coolest fights ever in 3D, because there’s so much about it that’s dynamic. That’s going to be really fun. And you know people have seen bits and pieces of the Himalayan sort of rock climbing thing, that’s- it’s almost 3D without having turned into 3D, so I can’t wait to see that. That one’s going to be like what the hell?
How long is the movie? Do you know or remember?
DI BONAVENTURA: It’s been a long time since I’ve really thought about it.
I’m just curious if it was like a ninety minute movie or a two hour movie?
DI BONAVENTURA: No, no, it’s neither. I want to say its 105 minutes, 104 maybe, and it’s somewhere in there, it’s right around the middle.
I remember I was invited to the junket in Dallas, and for me it was so last minute, the 3d post conversion, for you were you sort of like, “Wait what? We’re going to do this? What?”
DI BONAVENTURA: It was definitely, when you’re planning yourself all towards one direction, you know, you definitely go, “Whoa, what the hell?” But the second- you know, look, here’s a sort of simple way for me to look at things. If the studio wants to spend money on making your movie better, let them.
Yes, exactly.
DI BONAVENTURA: I find it hilarious when people fight that, you know? I’m like, “Great, you want to spend a lot of money and try to make our movie a bigger success? Okay! That sounds good. ” And Jon got that too, you know? The first moment you’re sort of going, “Whoa! Uhhh, wait. Oh, ok, great, let’s do that. ”
The Titanic post-conversion is nothing short of jaw-dropping, and I’m curious because Cameron spent like a year, 18 million dollars, like just really went to town on it. I’m basically curious can fans really look forward to something really cool with this 3D conversion?
DI BONAVENTURA: Well look, everybody’s been burned by bad 3D conversion right? It’s not- you know, without having seen it, it’s hard for me to sit here and say, “Yes, it looks great!” You know? I haven’t seen it. We know we’re doing it with a really good house, we have enough time to get it done where were not racing to do it in a way that, you know, conversion really has a lot do with how much time you spend on it, and it has a lot to do with the experience of the house that you’re doing it with. I think we’re going to come out with a really good 3D product, I think people are going to be wowed by it. Paramount’s certainly spending the money and we’re certainly working hard on it.